Showing posts with label sid james. Show all posts
Showing posts with label sid james. Show all posts

17 Jan 2024

Lady Godiva Rides Again (In Memory of Pauline Stroud)

Lady Godiva Rides Again (dir. Frank Launder, 1951)
 
 
I. 
 
There are many reasons to value this 1951 British comedy about an unsophisticated and impressionable young waitress who enters the slightly seedy and somewhat sinister world of showbiz after appearing as Lady Godiva - the Anglo-Saxon noblewoman who became legendary for riding naked through the streets of Coventry - in her home town's annual pageant and then winning the Miss Fascination Soap beauty contest (first prize: a cheque for £1000; a mink coat; and a film contract).

For one thing, the sexual politics of the period fascinate and appal in equal measure and remind us why raising awareness around issues to do with the sexual harassment, abuse, and exploitation of women in the entertainment industry (and, indeed, wider world of work) is something that we should all be sympathetic towards. 
 
For another thing, it has a fabulous cast in both lead and supporting roles, including George Cole, Sid James, and Britain's very own blonde bombshell Diana Dors as Dolores August [1]. Further, there are a number of amusing cameo appearances by the likes of Alastair Sim and Dora Bryan. 
 
The film also allows 18-year-old Joan Collins to make her (uncredited) screen debut as a beauty contestant, alongside the nightclub hostess Ruth Ellis, also playing a nameless beauty contestant, who - as I'm sure readers will know - was hanged for the murder of her lover, the racing driver David Blakely, in 1955.     
 
 
II. 
 
Finally, I would like to give a particular mention to the star of the film, 21-year-old Pauline Stroud - the very lovely English actress who, sadly, died, aged 92, a couple of years ago. 
 
She lights up the film and the casting directors made an excellent decision in giving her the role of Marjorie Clark ahead of the hundreds of other young women who chased the part; including Miss Dors and Miss Collins, and, somewhat surprisingly, Audrey Hepburn [2]
 
According to her friend Olive Simpson, writing in an obituary for The Guardian
 
"Lady Godiva should have been the first film in a five-year contract but, by the time it was released, Pauline had become engaged to Peter Lemos, member of a wealthy Greek ship-owning family, and he did not wish to share her with the cinema-going public. She ended the engagement, but not before the contract was broken and her career prospects damaged." [3] 
 
Arguably, Pauline's engagement to Peter Lemos mirrors Marjorie's marriage in the film to a wealthy Australian businessman (Larry Burns, played by John McCallum). 
 
Like Lemos, Burns also puts the kibosh on a young woman's wish to forge an independent life as an actress. After rescuing Marjorie from appearing nude on stage as part of a French revue, he whisks her off Down Under and, before you know it, she's a wife and mother [4].
 



Notes
 
[1] I can't say I'm a huge fan of Miss Dors - she always frightened me as a child - but she's excellent in Lady Godiva Rides Again (as she is as Mrs. Rix in one of my favourite episodes of The Sweeney, 'Messenger of the Gods', (dir. Terry Green, 1978)). Interestingly, the film was released in the US with its original title in 1953, but then re-released as Bikini Baby with Miss Dors given star billing. 
 
[2] Miss Hepburn, a West End chorus girl at the time, screen tested for the role, but it was thought her figure was too slim. 
 
[3] Olive Simpson, 'Pauline Stroud obituary', The Guardian (4 Sept 2022): click here.
 
[4] In contrast, Miss Stroud never married and toured in rep and had a number of film and television roles until the 1970s. She then worked for many years as an extra in numerous opera and ballet productions in Covent Garden, a real trouper until the end. 
 
 
To watch an amusing opening scene from Lady Godiva Rides Again (1951), click here


2 Jan 2017

Why I Love Carry On Cruising

Kenneth Williams as First Officer Marjoribanks


There are many reasons to love Carry On Cruising (dir. Gerald Thomas, 1962), the sixth film in the series and first to be filmed in colour.

Firstly, it retains all the innocence and queer charm of the earlier black and white films and is essentially a finely balanced romantic comedy without too much sentiment or too much vulgarity; it's tender without being soft-centred, saucy without being smutty.   

Secondly, regular cast members - Sid James, Kenneth Williams and Kenneth Connor - all deliver excellent (nicely restrained) performances; and, just as crucially, stand-in cast members Lance Percival and the lovely Dilys Laye also do fine jobs. The former, playing the ship's cook, occupies the part originally meant for Charles Hawtrey, dropped from the cast for demanding he be given top billing and a gold star on his dressing room door. The latter, playing a young woman looking for love whilst cruising the Mediterranean, replaced Joan Sims at short notice after she was unexpectedly taken ill just days before the commencement of filming.

Cruising also co-stars the magnificent Liz Fraser and - as I think we can all agree - any film or TV show with Liz Fraser is instantly improved, even if, sadly, not always worth watching. When she departs the series after Carry On Cabbie (1963), it's a real loss. Seeing her in her black underwear always makes happy (and nostalgic); she has the erotic charisma that Barbara Windsor in the later movies, for all her infectious giggling, completely lacks.                    

Someone else who always makes happy (though for very different reasons) is the diminutive, Australian-born character actress and funny-woman, Esma Cannon, here making her third of four appearances in the Carry On series. British cinema would not be British cinema without her and Miss Madderley is a very welcome passenger on board the Happy Wanderer. Her table tennis scene with Kenneth Williams is particularly pleasing.   

Finally, Cruising also contains a somewhat curious scene in which James and Williams discuss different schools of psychoanalysis. James, as Captain Crowther, declares himself to have always been a Freudian and too old to change; Williams, as First Officer Marjoribanks, quips in response that that's nothing to worry about or apologise for - just so long as one remains Jung at heart

It's not the greatest joke ever written. But it's inclusion in a film of this nature is surprising and a welcome relief from the more predictable double entendres, sight gags, and elements of slapstick.