Showing posts with label revolution. Show all posts
Showing posts with label revolution. Show all posts

3 Nov 2020

Notes on the Youthful Writings of Gilles Deleuze 2: From Christ to the Bourgeoisie

 A young Deleuze pretending to read for the camera
 
 
I.
 
From Christ to the Bourgeoisie [a] was another very early text by Deleuze, first published in 1946, when he was twenty-one. It's central argument and conclusion is: "The relationship that connects Christianity and the Bourgeisie is not contingent." [275] Which is true, I suppose, though hardly an original insight.
 
Deleuze opens the essay by discussing the decline of spirit in our modern world, which critics and opponents of modernity and materialism often decry: "What they mean is that today, many people no longer believe in internal life, it doesn't pay." [266] 
 
Deleuze continues:
 
"To be sure, there are different reasons why the internal is disdained today. My first thoughts go to the revolutionary consciousness in an industrial and technological world. The greater the power of this technological world, the more it seems to empty people of all internal life like a chicken and reduce them to total exteriority." [266]

My first thought is that this seems rather unfair on chickens, which remain sacred birds within some cultures. One wonders how Deleuze might know anything about their internal life, or lack thereof? For whilst I'm sure this young French philosopher enjoyed many a dish of coq-au-vin, had he ever tried to form a relationship with a living bird? 
 
I'm doubtful: for despite what he might believe, they are intelligent and sensitive creatures, who display some degree of self-awareness (i.e., have a fairly complex inner life) [b].   
 
Personally, I'm with Lawrence on this point: I like to imagine that even a common brown hen is a goddess in her own rights and blossoms into splendid being, just as we do, within the fourth dimension and that we might form a vital (non-anthropocentric) relationship with her [c].     
 
But I digress ... And, to be fair, there's an ambiguity in what Deleuze writes here; he could be saying that chickens too are emptied of internal life (i.e. have their being negated) within techno-industrial society thanks to factory farming (Heidegger controversially suggests that there is a metaphysical equivalence between mechanised food production and the Nazi extermination camps).      
 
Anyway, let's move on ... And let's do so by immediately pointing out that Deleuze isn't necessarily complaining about this loss of soul - because, like Sartre, he hates moist interiority and regards the issue as a far more complex one than it is often characterised. For one thing, Deleuze suggests the possibility of a spiritual life outside of (and without reference to) any interiority and he believes in a revolution that takes place as a form of action and as an event in the world, rather than in us:
 
"The revolution is not supposed to take place inside us, it is external - and if we do it in ourselves, it is only a way to avoid doing it outside." [267]
 
Again, like Sartre whom he quotes, Deleuze suggests that ultimately everything is outside - including the self (l'existence précède l'essence, and all that jazz):

"'Outside, in the world, among others. It is not in some hiding-place that we will discover ourselves; it is on the road, in the town, in the midst of the crowd, a thing among things, a human among humans.'" [268]
 
Interestingly, Deleuze finds this existentialism in the Gospel: Christ, he says, shows us a new possibility of life that is not lived posthumously in some kind of heaven, but in the external world. Only this, paradoxically, "is not a social, historical, localized world: it is our own internal life" [268].
 
Unfortunately, it's not this aspect of the Gospel that has triumphed and ultimately Christianity has been more bad news than good and brought about the disastrous "dissociation of Nature and Spirit" [268]. Deleuze continues:
 
"Some might say that the union did not exist at the time of the Greeks either. No matter. The identity of Nature and Spirit exists as nostalgia in the modern consciousness; whether it is defined in reference to Greece, to a state preceding original sin, or, if you prefer psychoanalysis, to a state prior to the trauma of birth, it matters little. Once upon a time there was a union between Nature and Spirit and this union formed an external world. Nature was mind and mind, nature; the subject was not involved except as an error coefficient." [268-69]  
 
Christianity subjectified both nature and spirit and ended up with a torn consciousness unable to grasp in itself "the relationship of natural life to spiritual life" [269]. Jesus as mediator came to fix this via the Gospel which is "the exteriority of an interiority" [269]

To be honest, I'm not sure I understand this. But let's see how Deleuze now relates this material to the bourgeois opposition between private life and the state ...

 
II.

At first glance, says Deleuze, this latter opposition seems "very different from the Christian opposition between Nature and Spirit" [269]. But - surprise, surprise - it isn't:
 
"The bourgeois has been able to internalize internal life as mediation of nature and spirit. By becoming private life, Nature was spiritualized in the form of family [...] and Spirit was naturalized in the form of homeland [...] What is important is that the bourgeoisie is defined first by the internal life and the primacy of the subject. [...] There is bourgeoisie as soon as there is submission of the exterior to an internal order [...]" [269]
 
Deleuze expands:
 
"The bourgeoisie is essentially internalized internal life, in other words the mediation of private life and state. Yet it fears the two extremes equally. [...] Its domain is the golden mean. It hates the excess of an overly individualistic private life of a romantic nature [...] Yet it is no less fearful of the state [...] The domain of the bourgeoisie is the domain of the apparently calm humanism of human rights. The bourgeois Person is substantialized mediation; it is defined formally by equality [...] and materially by internal life. If formal equality is materially refuted, there is no contradiction in the eyes of the bourgeois nor is there a reason for revolution. The bourgeois remains coherent." [270]

Ultimately, they have no interest in the question of to be or not to be; they wish to have (to own, to possess); property rights are their concern - not ontological unfolding. But money - as an abstract flow - is problematic; it is not substantialized, "on the contrary, it is fluctuating [...] Whence the threat and danger" [271]. Anticipating his work with Félix Guattari written twenty-five years later, Deleuze notes: "Money negates its own essence [...]" [271] and capitalism inexorably moves towards its own external limit [d].

So, in sum: the fraudulent and secretive bourgeoisie internalise interior life in the form of property, money, and possession: "everything that Christ abhorred and that he came to fight, to substitute being for it" [273] - coming, in effect, not to save the world, but to save man from the world (in all its manifest evil). 
 
Having said that, I rather like the world in all its demirugal and external beauty and resent the idea of salvation, however you present it ...      

 
Notes 
 
[a] Gilles Deleuze, 'From Christ to the Bourgeoisie', Letters and Other Texts, ed. David Lapoujade, trans. Ames Hodges, (Semiotext(e), 2020). All page numbers given in the above post refer to this work.
 
[b] See Lori Marino, 'Thinking chickens: a review of cognition, emotion, and behavior in the domestic chicken', Animal Cognition 20, (Jan 2017), pp. 127-147. Click here to read online. 
 
[c] See D. H. Lawrence, 'Him With His Tail in His Mouth', Reflections on the Death of a Porcupine and Other Essays, ed. Michael Herbert, (Cambridge University Press, 1988), pp. 307-317. Lawrence discusses forming a relationship with his Rhode Island Red on pp. 313-316.  

[d] In Anti-Oedipus, for example, Deleuze and Guattari describe money as that which has been substituted by capitalism for the very notion of a social code and which has created "an axiomatic of abstract quantities that keeps moving further and further in the direction of the deterritorialization of the socius". See Anti-Oeipus, trans. Robert Hurley et al, (The Athlone Press, 1994), p. 33. 
 
Part 1 of this series on Deleuze's youthful writings - Description of Women - can be read by clicking here
 
 

13 Jun 2020

You Say You Want a Revolution ...?



I.

Initially, Black Lives Matter was a civil rights movement for a younger, angrier, more woke generation of activists and campaigners concerned about issues to do with racial justice and equality. But it seems to now be in the vanguard of a broader movement demanding a full-scale cultural revolution and an end to what they perceive to be a violently oppressive and institutionally racist old order.

Of course, we've seen this call for a total transformation of everyday life (and the subsequent humiliation or destruction of one's enemies) before: in Hitler's Germany in the 1930s, for example; and, more recently, in Mao's China in the 1960s.

It wasn't pleasant then and it isn't pleasant now. Nor do I think it's going to end any happier. Restrictions on freedom of speech and the insistence that everyone toe the politically correct line or face the consequences, never do. Nor do attempts to sanitise the past and purge society of undesirable elements

To protest and to rebel may be justified; and, doubtless, there are many old habits, customs, and ideas that need to be challenged. But to destroy works of art and historical artefacts in the name of an ideology that believes itself to be infallible and morally superior is something we should be extremely wary of.

For I think the poet Heinrich Heine was right in 1820 and he's still right now, two hundred years later: Where they burn books, they will also ultimately burn people. To their credit, even The Beatles understood this; as their counter-revolutionary track 'Revolution' demonstrates ...


II.

Inspired by anti-war protests and student uprisings, John Lennon's lyrics express sympathy with the need for radical social change, but serious reservations over the violent tactics adopted by some on the so-called New Left. The song concludes that there's no need for direct action as everything's gonna be alright (that is to say, ideals of peace and love will triumph in the end). It also explicitly dismisses the cult of personality surrounding Chairman Mao.

Of course, countercultural comrades and hardline communists of every variety immediately branded Lennon a traitor and collaborator. They were shocked not only by his Transcendental fatalism, but by his humour and expressed need to see details (or a plan) for how a revolution might work. The New Left Review dismissed the song as a 'lamentable petty bourgeois cry of fear' and even the French film director Jean-Luc Godard denounced the Beatle for his apoliticism and suggested that he and other band members had been corrupted by money.

Duly chastened by the criticism he received, Lennon subsequently declared himself to be a revolutionary after all. However, in an interview shortly before his death in 1980, he again voiced his rejection of political violence and terror and reaffirmed the more pacifist sentiments expressed in 'Revolution': 'Don't expect me on the barricades unless it's with flowers.'           

To be honest, I don't have much affection for Lennon. But I admire the stand he took here and his scorn for the militant asceticism and extremer than thou snobbery of those on the far left openly motivated by resentment and hatred. And I think that those who call naively for revolution today and pose with clenched fists held aloft, should stop to consider that they ain't going to make it with anyone anyhow ...


Play: The Beatles, 'Revolution', B-side to the single release 'Hey Jude', (Apple, 26 August 1968): click here.

Note: the above promo film, dir. Michael Lindsay-Hogg, was first broadcast on Top of the Pops (BBC One) on 19 September, 1968. 

See: Daniel Chirot, You Say You Want a Revolution?, (Princeton University Press, 2020). In this new study, Chirot - a Professor of Russian and Eurasian studies at the University of Washington - examines why most modern revolutions have ended in bloodshed and failure and what lessons they hold for today's world of growing extremism. The image above is from the front cover to this text.


26 Jun 2015

The Case of Helly Luv




Whether one chooses to think of her as a Kurdish Vera Lynn - sweetheart of the Peshmerga forces - or as a Middle-Eastern Shakira shaking her booty in the face of the Islamic State, the case of Helan Abdulla or, as she is better known, Helly Luv, is one that raises some problematic issues.

Let me first say this: the 26 year-old actress, singer and dancer displays real courage in the face of mortal danger. For this, she deserves our respect. Miss Abdulla is a beautiful young woman prepared to risk life and limb in order to achieve chart success and a film career. And she's someone who has experienced hard times; born in Iran during the Gulf War, she and her family were forced to flee first to Turkey before then seeking asylum in Finland where they were eventually granted citizenship. 

At eighteen, Miss Abdulla moved to LA in order to pursue her dream of stardom. One thing led to another, and, in 2013, she released a single under the name of Helly Luv. Risk It All synthesized Latin and Middle-Eastern rhythms into a catchy contemporary dance track that highlighted the plight of the Kurdish people. The song and accompanying video garnered a good deal of critical attention and millions of YouTube views. It also - predictably - brought death threats her way from Islamic militants.

Rather than back down in the face of these threats, however, Miss Abdulla released a follow-up single in 2015 entitled Revolution for which a still more controversial video was shot in an abandoned village near Mosul, where Kurdish militia were engaged in combat with IS fighters. In the video, Helly Luv is seen painting the word 'revolution' on a shell in red lipstick before personally firing it towards the IS front line just a few kilometres away.

I suppose it's this kind of thing that ultimately causes me problems. For the packaging of warfare inside a slick and glossy music video undoubtedly glamourises violence and has something worryingly fascistic about it. I'm perfectly happy for performers to express political views (even if such views are often naive and misguided), but I don't really want to see them posing with petrol bombs and surrounded by dancers carrying AK-47 automatic rifles.

Nor even, for that matter, do I want to see wild animals being exploited; so please, Helly, no more lions ...


Notes:

To watch the video for Risk It All click here.  

To watch the video for Revolution click here

To visit the Helly Luv official site click here.