Showing posts with label pagan magazine. Show all posts
Showing posts with label pagan magazine. Show all posts

11 Aug 2016

In Defence of Trivia

Thou, Trivia, goddess, aid my song: 
through spacious streets conduct thy bard along
  John Gay (1716)


This just in by email, with reference to a recently published post:

"It's bad enough when writers like you try to persuade us that superficial and boring phenomena, such as fashion, have great import or interest. But what is worse is that when you do decide to discuss serious topics, such as cultural appropriation, which involve issues of class and race, you invariably reduce them to questions of style or semantics in a manner that is disingenuous, disrespectful and disappointing. Surely philosophy - even of a postmodern variety - should do more than trivialise everything with an ironic smirk; particularly things that have real consequences for real people in the real world." 

There's obviously quite a lot here to which I might respond. But it's the idea of trivia that I think I'd like to address (briefly and obviously not in depth; nor with the appropriate gravitas that my critic seems to expect).

It's clear, is it not, that those who hate trivia do so from a moral position that is thought superior, but is in fact only snobbish and judgemental.

For what constitutes trivia after all other than forms of knowledge believed to be of lesser value or commonplace; fine for those of limited education or intelligence (and postmodernists), but not for those who have greater intellectual gifts and who, like my critic, prefer to discuss important issues from a serious perspective and not waste time playing language games or worrying about aesthetics.   

The Romans used the word triviae to describe where one road forked into two. And this too provides a vital clue as to why people such as my critic hate trivialisation.

For rather than being a reductive process, it's one that adds complexity and ambiguity; multiplying alternatives and proliferating difference; demonstrating that there is no single, super-smooth highway to truth, just a network of minor roads and what Heidegger terms Holzwege - paths that might very well lead nowhere and cause the seeker after wisdom to get lost. Ultimately, my critic is frightened of losing their way by leaving the straight and narrow. But I'm more like Little Red Riding Hood and prepared to take a risk; I might miss the point - but, on the other hand, I might meet a wolf (and there's nothing inconsequential about that).

Alternatively, I just might encounter a deity ...

For Trivia refers not only to fun-facts about popular culture or the minutiae of everyday life, but is the name of a goddess who, in Roman mythology, haunted crossroads and graveyards and was the mother of witchcraft and queen of ghosts, wandering about at night beneath the harvest moon visible only to the barking dogs who told of her approach. Again, one suspects all this rather frightens and repulses my critic, who would doubtless dismiss it as superstitious nonsense. But as the former editor of Pagan Magazine, the thought of encountering such a figure continues to secretly enchant.   

And so, in a nutshell, it's better to trivialise than to moralise and be forever bound by the spirit of gravity.
          

1 May 2015

Pagan Magazine (1983-92)

Pagan: the Magazine of Blood-Knowledge
Issue I (1983)


For some, the way to move beyond the ruins of punk was via a colourful and poppy new romanticism. For others it involved wearing all black and the creation of a queer gothic sensibility; or power dressing for a job in the city and a shameless embrace of Thatcherism. 

For me, however, the natural progression was towards a post-punk primitivism inspired by - amongst other things - D. H. Lawrence's Apocalypse, McLaren and Westwood's Nostalgia of Mud, Killing Joke's Fire Dances, and a second-hand copy of the Larousse Encyclopedia of World Mythology    

And so, in 1983, I created Pagan: the Magazine of Blood-Knowledge ...

For nearly ten years I single-handedly wrote, illustrated, photocopied, and distributed the above giving full-range to my various obsessions, including those that were not only literary and aesthetic in origin, but esoteric and political in character as the magazine veered dangerously from poetry, art, and nature worship towards the black hole of Nazi occultism.

This is not to argue that the latter is always the fatal outcome of the former. But, in aggressively confronting Occidental reason and Christian morality with its absolute Other and in promoting a pessimistic vitalism tied to an anti-modern, anti-democratic politics of cultural despair, one inevitably runs the risk of encountering and thence succumbing to the temptation of fascism. Habermas is not wrong to argue this.    

On the other hand, just as Dionysian philosophy can lead you into the abyss, so too can it lead you out and I would say that it was ultimately Nietzsche and those thinkers often derided as postmodernists - not Jürgen Habermas - who helped me see that irony, indifference, and incredulity are preferable to the faith, fanaticism, and fervour that I valorised and called for in my younger days.

I can still look back at Pagan Magazine with some pride and amusement. But I have to admit there are also feelings of shame, embarrassment, and even horror. Anyway, for the record - and for those few readers who may be interested - here's an index of the issues:


I: Dark Sex (1983)
II: Pan (1983)
III: Pagan Poetry (1983)
IV: The Cult of the Plumed Serpent (1984)
V: Pure Sex (1984)
VI: Rejuvenate! (1985)
VII: The Priest of Love (1985/86)
VIII: Erotic Art (1986)
IX: Once Upon a Time (On Folk and Fairy Tales) (1986)
X: Death to Democracy - Long Live the Folkish State! (1986)
XI: Ragnarok: Twilight of the Gods and the Coming of the Wolf (1986)
XII: The Ithyphallic Issue (1986)
XIII: We Shall Remain Faithful ... (1987)
XIV: Women (1987)
XV: And Time is Running Out ... (1987)
XVI: The Summer Edition (1987)
XVII: Transformation (1987)
XVIII: European Folk Dress Fashion Special (1987)
XIX: Poetry for the New Age (1987)
XX: Killing Joke: A New Day (1987)
XXI: The Tarot (1987)
XXII: Alchemy and the Transference Phenomenon (1988)
XXIII: Astrology (1988)
XXIV: On Magick and Witchcraft (1988)
XXV: Retrospective: the History of Pagan Magazine 1983-88 (1988)
XXVI: An Illustrated Miscellany of Curious and Interesting Items (1988)
XXVII: The Dead Kennedys Issue (1988)
XXVIII: Expressions (1988)
XXIX: The Green Issue (1989)
XXX: Farewell to the 80s ... And Welcome to the 1990s (1989)
XXXI: Modigliani: Le Peintre Maudit (1990)
XXXII: Vincent Van Gogh (1990)
XXXIII: Vive Picasso! (1990)
XXXIV: The Marriage of Heaven and Hell: On the Life and Work of William Blake (1990)
XXXV: Dreams, Nightmares, Visions (1990)
XXXVI: The Pagan and Occult Roots of National Socialism (1991)
XXXVII: Adolf Hitler (1991)
XXXVIII: The New Order (1991)*
XXXIX: Blood and Soil: Race, Nationality, and Eco-Mysticism (1991)*
XL: Portrait of the Artist as a Young Pagan: The True Confessions of Stephen Alexander (1991/92)*
XLI: New Poems and The History of Pagan Magazine (Part II): 1988-1991 (1992)


Note: The issues marked with an asterisk were not completed and so never circulated. Three further issues were also semi-assembled after issue XLI: one on the figure of the prostitute, one on Nietzsche, and, finally, one entitled 'Bits' that was a celebration of fragments and leftovers.