II: The Case of Dilara Findikoglu and Her Infernal Fashion Show
Our second story concerns a fashion show held at historic central London church St. Andrew Holborn, as part of London Fashion Week (15-19 September, 2017); a show that the ex-Bishop of Rochester, Michael Nazir-Ali, and other leading clerics condemned as blasphemous and unacceptable in its satanic aspect.
To be fair, the show did involve heavily made-up models and drag queens dressed as demons and vampires strutting their stuff along the aisle and posing in front of the altar. Some had horns on their head and some displayed inverted crosses between bare-breasts, so the clergymen aren't getting their cassocks in a twist entirely without cause.
But what did they expect? For the show featured the work of London-based Turkish designer Dilara Findikoglu, whose creations are popular with celebrities who like to provoke controversy and display a supposedly rebellious character whilst wearing expensively tailored clothes. What's more, Ms Findikoglu has spoken openly of her puerile (and, ironically, passé) fascination with magic and the world of the occult.
At the end of the day, she didn't break into St. Andrew's - it was hired from the Church of England authorities and surely it's their responsibility to exercise due caution and protect the sacredness of the space entrusted to them? To claim that they took the booking in good faith and were completely unaware of the show's content and themes, is a pretty piss-poor excuse.
An investigation into the matter is apparently now being carried out. Perhaps they might begin by asking why it is the Church feels so comfortable renting out its properties for secular activities and commercial purposes.
As for Ms Findikoglu, well, she's young; she can do better than this: and will, I'm sure, when she learns that when it comes to fashion, the devil's in the detail not shock-horror cliché.
Agreed on all points. Of course, the Church is a business as much as anything else, with all the cynicism and opportunism anyone and anything operating under capitalism is corroded by. On a theological note, of course, the Adversary plays an indispensable role for the followers of the Nazarene. As Beth Orton once sang, the devil was an angel.
ReplyDeleteAs for these outfits, cliched and puerile doesn't begin to cover it! The model looks like she's just rocked up off the Rocky Horror Picture Show or worse. As Hannah Arendt attested for our own time, the seduction of evil is tyically characterised by its banality, urbanity and superficial affability. (Interested readers might want to revisit Dennis Potter's magnificent TV drama 'Brimstone and Treacle' for a frighteningly plausible depiction of what the devil inveigling himself into a suburban home might look like . . .)